Team member
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Hu Yilin
TINAYU ARTECH | Founder, Independent Scholar
Doctor of Philosophy from Peking University, formerly an associate professor in the Department of History of Science at Tsinghua University, currently an independent scholar and co-founder of the Hong Kong art space “TINAYU ARTECH”, initiator of CNDAO. His research focuses on the intersections of philosophy of technology, media theory, and history of science. In recent years, he has actively engaged in the cultural construction practices of Web3 and decentralized organizations, exploring new possibilities for technological autonomy and digital sovereignty. He is the author of "What is Technology", "Strong Programme in Media Historiography", "Introduction to the Philosophy of Technology", and others.
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Shen Cong
TINAYU ARTECH | Co-founder
Co-founder of the Hong Kong art space "天与ARTECH", Shen Cong completed his undergraduate studies at the Central Academy of Fine Arts and his postgraduate studies at Tsinghua University's Department of the History of Science. He is a member of the Youth Working Group of the Synthetic Biology Branch of the Chinese Society of Biotechnology, curator of the Science and Art Joint Laboratory at the Energy Research Institute of the Hefei Comprehensive National Science Center, and chief curator of the "Future Human Technology Studies" special exhibition at the China (Hefei) International Science and Art Festival. In 2022, he established CAFA_China, the first art-based team in China to participate in iGEM, and serves as an advisor.
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Hu Yiwei
TINAYU ARTECH | Art Director
Born in 2002 in Hunan, a young sci-tech art creator active in the intersection of life technology and intelligent technology, graduated from the School of Experimental Arts and Technology Arts of the Central Academy of Fine Arts, and serves as the art director of TINAYU ARTECH. Her creations focus on the ethics and living conditions faced by different life forms in the context of a technological society, combining technology history, synthetic biology, artificial intelligence, and new materials to carry out cross-media practice. She seeks a future-oriented "life aesthetics" view, using science and technology art to respond to the "global life history" and using technical language to touch the boundaries of the life entity.
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